KREUZBERG

When a young filmmaker is selected for a prestigious creative lab in Berlin, it feels like a rare moment of validation — until he learns that Mary, his ex-girlfriend, will also be attending. What begins as a chance to move forward quickly becomes a slow unraveling, as the two are thrown back into proximity and forced to confront the lingering wreckage of their relationship.

Set against the restless backdrop of Berlin, Kreuzberg follows a narrator caught between the external structure of a professional opportunity and the internal chaos of self-doubt, memory, and shame. As he moves through the city — shadowed by Mary's relentless presence and the haunting echo of their past — he begins to unpack the real reasons he stayed in a relationship that left him hollow. What emerges is not a portrait of love, but a reckoning: with masculinity, self-perception, and the deep, hidden belief that pain is something he deserves.

Kreuzberg is a bleak story about the narratives we build to survive ourselves — and what happens when those narratives collapse. An exploration of the quiet violence of intimacy, and the long shadow it casts across the self.

BERWICK ST.

An intimate portrait of a young man teetering on the edge of emotional collapse, driven by a deep undercurrent of self-loathing and a compulsive need for validation through female attention. As he stumbles through fleeting encounters and fragile friendships, he begins to form a profound connection with a woman who challenges his understanding of love and dependency. But as her red flags slowly unravel and his own instincts falter, he’s forced to confront the painful impossibility of knowing what he truly wants.

Berwick St. is a diaristic plunge into a fractured year of love, longing, and low-paid labour. A young man floats between cafés, classrooms, and casual betrayals, trying to make meaning from failed relationships, artistic ambition, and the constant performance of masculinity.